Wednesday, February 13, 2013

Poets Pick Their Favorite Love Poems


If you ask contemporary poets to pick their favorite love poems, you get ones that run from the passionate to the political.

For example, Kim Addonizio's selections include "Song of Songs, Canticle 4" and Yeats' �When You Are Old� which she confesses to first encountering "in the movie Peggy Sue Got Married, in the scene where the young wannabe Byron quotes it to Kathleen Turner�s character and then spoils the mood by quoting some of his own execrable verse. It�s a somewhat melancholy poem in the end, with its �how love fled,� but what stays in memory is the lovely assertion of a profound love that sees beyond the body."

Sharon Old has amongst her picks, �Passing Through� by Stanley Kunitz.

Joel Brouwer asks "How can anyone write a heartfelt love poem in this age of irony without seeming like a sap?" And his answer is �Windchime� by Tony Hoagland .

Monday, February 11, 2013

The Gift by C. K. Stead

Allen Curnow 1911 - 2001

Brasch in his velvet
voice and signature
purple tie

complained to his
journal that you had
'interrupted'.

I wasn't sorry.
That was Somervell's
coffee shop

nineteen fifty-three.
Eighteen months
later you and I

were skidding on the
tide-out inner-
harbour shelvings

below your house
from whose 'small room with
large windows' you saw

that geranium 'wild
on a wet bank'

Sunday, February 10, 2013

The Secret Poetic Life of Trees

Autumn in reds

I like trees because they seem more resigned to
the way they have to live than other things do.
- Willa Cather

This month's prompt was inspired by a series of programs about trees that I listened to on the BBC. They were created in response to the ash dieback disease that has hit trees in the UK. Roger McGough hosts Poetry Please and presented some tree poems, old and new by DH Lawrence, Philip Larkin, Thomas Hardy, WB Yeats, Gerard Manley Hopkins and others.

 "The Secret Power of Trees"  looks at Britain's woodlands that were planted for timber or hunting but are now also used to help the mentally ill and elderly people as part of what is known as "social forestry." The power comes with seeing woodlands as therapeutic and healing landscapes, and not just by new age types. He points out that in Japan, doctors take seriously the practice of "forest air bathing", and claim all kinds of health benefits from simply being in the woods. It's a different trend in the poetry of trees, since in much older poetry, forests were often seen as scary places, full of evil spirits and outlaws.

Thinking about trees, some poems come to mind immediately, like "Birches" by Robert Frost which ends with that glorious wish to be a swinger of birches.

I'd like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth's the right place for love:
I don't know where it's likely to go better.
I'd like to go by climbing a birch tree,
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.
Moving amateur birch swinging into a profession, one segment from the radio program looks at a professional tree climber, James Aldred, who climbs one of Britain's tallest trees, a giant redwood affectionately called Goliath, and sleeps in its branches.

In our current season, I think of  "Winter Trees" by William Carlos Williams

All the complicated details
of the attiring and
the disattiring are completed!
A liquid moon
moves gently among
the long branches.
Thus having prepared their buds
against a sure winter
the wise trees
stand sleeping in the cold.

But the two poems I decided to focus on this month for our writing prompt are poems that feature women interacting directly with a tree.

Woman Waving to Trees by Dorothea Tanning

Not that anyone would
notice it at first.
I have taken to marveling
at the trees in our park.
One thing I can tell you:
they are beautiful
and they know it.
They are also tired,
hundreds of years
stuck in one spot�
beautiful paralytics.
When I am under them,
they feel my gaze,
watch me wave my foolish
hand, and envy the joy
of being a moving target.

Loungers on the benches
begin to notice.
One to another,
"Well, you see all kinds..."
Most of them sit looking
down at nothing as if there
was truly nothing else to
look at until there is
that woman waving up
to the branching boughs
of these old trees. Raise your
heads, pals, look high,
you may see more than
you ever thought possible,
up where something might
be waving back, to tell her
she has seen the marvelous.



Another woman who might be seen from a distance as - odd? - is looking up into a plum tree and addressing the tree, its fruit and a visiting bird.

Woman Looking Up Into A Plum Tree by Melanie McCabe

Strung with whistle bones, frail reeds fledged, a bird
can fly or fold in, tuck beneath the wing the skull's
little engine, that tiny grist, that whit of will.

This is the secret kept in the crook of the limbs:
what claims flight must first be hollowed, must
whittle to a straw grace. Desire, that heavy

marrow, will someday open, riddle with holes
for wind to clean. The wet plum will parch to its
stone pit, dwindle and lift its faint whiff of almond.

But she is rooted still, tang of riven earth on
the back of her tongue, a late seed considering
another rending, an improbable sprouting into

turning air, a farfetched bloom. If she lightens, it is
slowly. Above her, the bird unfolds, beats sky with
thoughtless wings. She does not yet envy its going.
This month's prompt is obviously to write a poem that focuses on someone interacting, perhaps addressing, a tree. Your woman (or Man Swinging From Birches or Man Sleeping in a Redwood) will also need to be specific in their tree choice. It's sad how many people can't even identify the trees on their own property or ones they pass every day.  Of course, in Jane Kenyon's tale of "Taking Down the Tree," the specificity is that the tree is a Christmas tree, which is an alternate and legitimate take on the prompt too.

Submission Deadline: March 3, 2013.

Monday, February 4, 2013

They Could Have Stayed Forever by Joan Fleming



There�s a free beach somewhere close to here, where everyone�s covered in sand. And everyone knows that sand is time, or time is sandy, and all the barriers are striped, red and white, like Christmas candy. But no-one�s there. They couldn�t find the rhyme for fun hiding in their pocket money. There�s only the space where they ate spun sugar, then floated off the boardwalk after their snack. Now

Sunday, February 3, 2013

Poems to Celebrate Black History Month

The Poetry Foundation has collected poems that explore the African-American experience to celebrate Black History Month.

http://www.poetryfoundation.org/black-history-month/

Saturday, February 2, 2013

EXIT 13

EXIT 13 magazine is one of the many small press poetry publications that keep poetry alive across the country. It features poets of all ages, writing styles and degrees of experience, focusing on where and how we live and what�s going on around us. This "poetry of place" is about geography, travel, adventure and the fertile ground of the imagination. It�s a travelogue in poetry, a reflection of the world we see, and a chronicle of the people we meet along the way.

Tom Plante started the magazine which he named after the Elizabeth exit off the New Jersey Turnpike where Tom once lived. It is a very much a labor of love and one-man operation by Tom who has edited and published the magazine since 1988. The annual issues also feature photos of exit 13 road signs contributed by correspondents. Plante sends a copy of the magazine to each photographer whose work is published.


Tom is reading submissions now for the 2013 issue which celebrates the magazine's 25th anniversary. He will be reading until the end of February. Email submissions with the poems within the email (no attachments) or snail mail to to EXIT 13, Box 423, Fanwood NJ 07023.

Tom Plante has personally been writing poetry for over forty-five years. �Poetry is necessary,� he says. �Poems are road maps for the soul; the GPS of a higher plane."

Before he moved to the New Jersey, Plante lived in the San Francisco Bay area of California. There, he worked with a friend to produce a small poetry magazine called Berkeley Works. Plante�s work in California gave him the inspiration to start his own literary magazine on the east coast.

The journeys of all the contributors gives us poems with a geographic point of view - a supermarket at the Jersey Shore, the Philadelphia Flower Show, souvenir shopping in Gallup, the Witches Market in La Paz, and buying a final round in Belgooly, Ireland.

There will be an EXIT 13 25th Anniversary Issue reading event October 15, 2013 as part of the Carriage House Poetry Series in Fanwood, NJ.

Friday, February 1, 2013

A Poem for Candlemas Eve

Robert Herrick's poem is for the eve of Candlemas which was the day (February 2nd) on which Christmas decorations of greenery were removed from people's homes.

Superstitions of an earlier time said that leaving traces of berries, holly and other decorations would bring death among the congregation before another year is out. Another belief was that anyone who hears funeral bells tolling on Candlemas will soon hear of the death of a close friend or relative.

Hopefully, your neighbors have taken down their outdoor Christmas decorations by now. If not, perhaps you should share the old beliefs with them.

Read more about Candlemas traditions


CEREMONIES FOR CANDLEMAS EVE
by Robert Herrick


Down with the rosemary and bays,
Down with the mistletoe ;
Instead of holly, now up-raise
The greener box (for show).

The holly hitherto did sway ;
Let box now domineer
Until the dancing Easter day,
Or Easter's eve appear.

Then youthful box which now hath grace
Your houses to renew ;
Grown old, surrender must his place
Unto the crisped yew.

When yew is out, then birch comes in,
And many flowers beside ;
Both of a fresh and fragrant kin
To honour Whitsuntide.

Green rushes, then, and sweetest bents,
With cooler oaken boughs,
Come in for comely ornaments
To re-adorn the house.
Thus times do shift ; each thing his turn does hold ;
New things succeed, as former things grow old.


for more poems by Herrick, see  http://www.luminarium.org/sevenlit/herrick/herribib.htm