Friday, April 19, 2013

The 4 Days in Nature Writing Prompt

Plank Bridge

How about this as a way to get out of a writer's block, a creative rut, or poetic funk: unplug and get out into the natural world..

A study published in the journal PLOS One found that spending four days in nature - away from electronic devices - is linked with 50 percent higher score on a test for creativity.

I am one of those people who spends too much time in front of a screen (computer or otherwise) but who also loves to take a hike.  The study looked at people who did electronics-free wilderness hiking trips for four to six days. (The hikes were organized by the Outward Bound expedition school.) 

They gave creativity tests to some the morning they started their trip and others on the fourth day of their trip and found the day 4 group scored higher. (I'm not sure why they didn't test all of them before and on day 4.)

Maybe it was being in nature, or maybe it was being unplugged. Maybe its both things. 

Another study was also cited that found that just seeing the color green before being given a creative prompt yielded more imaginative answers than seeing the color white before the prompt. 

Anyone willing to experiment and report back to us?









Wednesday, April 17, 2013

Today Is Poem in Your Pocket Day


As part of National Poetry Month, you should celebrate national Poem in Your Pocket Day today, April 18, 2013.

All you need to do is select a poem, carry it with you, and share it with others throughout the day. You can also share your poem selection on Twitter by using the hashtag #pocketpoem.

Poems from pockets will be unfolded throughout the day with events in parks, libraries, schools, workplaces, and bookstores.

For more information, scheck all the National Poetry Month information at www.poets.org


     


Looking Back at Poets Online


Today's post is a cross-posting from a guest post I did on Author Amok. That's the blog by my friend, the poet and teacher, Laura Shovan. Poets often do guest posts on other blogs during National Poetry Month, so I wrote a little history of Poets Online.

POETS ONLINE (the site, not this blog) started in 1998 as an e-mail exchange amongst four poets. At a writing workshop that summer, I asked three other poets if they wanted to continue exchanging poems by email beyond the workshop. After a few weeks, we decided to take turns suggesting a writing prompt idea. In that first iteration, we gave ourselves a week and then e-mailed our poems to each other.

As more poet friends of the group wanted to join in, it became awkward using email. So, I created a website where the poems could be posted and I became the person who received the poems from participants. I titled the site Poets Online.

The idea of poets being online in 1998 was very new. The site grew in number only by word-of-mouth and poets who stumbled upon it in a web search.

The one week deadline proved to be too short for most people and too much compiling for me, so we moved to once a month.

In early 1999, I added a mailing list to remind people to check on the latest prompt and poems. The list still exists and now has over 500 "subscribers."

The site was originally located on a free web server service (Geocities), but when I was told in 2001 that "Your web pages have exceeded your account's total data transferred quota," I knew that popularity was forcing me to rebuild the site elsewhere.

I bought the domain poetsonline.org and redid the site and it has continued to grow for these fifteen years.

The intent has always been to provide inspiration through a writing prompt that remains open for about a month. Poets can try the prompt and submit that poem for possible online publication. I've had emails from lots of people who try the prompts but don't want their poems online.  A number of teachers from elementary level through college have told me they use the archive of prompts (more than 200) with their students and use the poems archived online as models.
 
The site has remained pretty much a one-man operation with me doing all the web work and just asking a few poet friends to read through the submissions.

We try to accept as many poems that respond to the current prompt in a serious way as space allows. We realize that we receive poems from poets of varying ages and experience. We receive poems every month that "appear" to be written by young people, but if they address the prompt in an interesting way, they have a good chance of being posted.

It has been very encouraging to receive mail from poets around the world saying that this was their first publication or letting me know that their poem in is a print journal or even that their first book has been published. I know of at least a dozen poets who submitted in years past that now have more than one book out in the world.

This, like many poetry efforts, is certainly a non-profit operation. We include Amazon links to books and poets featured and if in a year the referral fees from that cancel out the cost of the domain and online hosting, it has been a good year.

For anyone submitting poems to Poets Online or any other publication on or offline, a few rules apply. First, read some of the poems they have published recently and see if your poem fits the selections. This especially applies to most print journals. Haiku have a much better chance in a haiku journal (or for one of our haiku prompts).

Second, read the submission guidelines. Every publication has something like our submissions page which gives you information about formatting, deadlines and genre preferences. We only want to receive one poem in response to the current prompt. When a group of 8 arrive, none will be read. 

Third, know your rights. Some journals purchase the first rights to your work and some retain further rights for republication. Can your work appear in other places simultaneously? How long do they retain those rights? Our page on copyright is a good start in your author education. PoetsOnline.org  retains first electronic rights at time of publication, after which all rights revert back to the author.

A fourth rule applies very much to Poets Online. In the fifteen years of offering prompts and reading poems, we have rejected more poems than we have accepted for one reason. They don't address the prompt.  No matter what the prompt says, there are always submissions that have nothing to do with it.

Many of the poems that are off-prompt are ones I would consider for publication if we just accepted poems on any topic or in any form. Love poems, religious and political poetry comes in every month even if the prompt was for poems about opposition or a call for odes or for poems about where we find our inspiration. 

Unfortunately, we can not respond personally to every poem submitted, acknowledge every submission except for an auto-response, or offer critiques of your work. Subscribing to our mailing list will notify you of when new poems appear.

Which doesn't mean that I never correspond with poets who submit. You have the option to have your name linked to an email address or your own website and a number of poets have connected via the site. Occasionally, I will email poets with some encouraging rejection note. (Yes, there is a such a thing. I have received them myself.) Sometimes we suspect that it is a young poet in age or experience. Rejection is tough on poets.

We added this blog in 2005 so that we could continue the poetic conversations all month and expand upon the prompts. It also allows you to comment on the poems and prompts.

And Poets Online went social early on when Facebook first allowed groups to have pages. We have an official page on Facebook and also a group page where anyone can post and comment on poems, prompts or things poetic.

We also have a Twitter feed @poetsonline for daily bursts of poetry news, a Pinterest site for things visual, a GoodReads page to share what we are reading and we publish a Poet & Writer Evening News online daily.

You still have time to submit to our April prompt on the prose poem which features poems by Louis Jenkins and Jim Harrison.  The current prompt is always the one open for your submissions, but there are plenty in the archive to keep you busy.







Tuesday, April 16, 2013

Sharon Olds Awarded the 2013 Pulitzer Prize for Poetry


Sharon Olds has been awarded the 2013 Pulitzer Prize for poetry for her twelfth collection of poems, Stag's Leap. The collection had previously won the Eliot Prize in England.

In a recent interview, Olds spoke about writing the poems in the book which came out of a difficult time in her life as her marriage of 32 years was ending.


"I wrote these poems the way I always write, which is immediately. I have to write a poem the moment it comes to me, or sometimes half an hour later, or the next day if I�m in the middle of something. Only then do I have the feeling that is so full in me that it feels the need to spill over into an expression of itself. The poems were written in 1997, 1998 and 1999, and then maybe one in 2000 and one in 2002 and one poem may be written in 2006. But 90 percent of them were written right at the time.

In terms of this book being difficult, I really enjoy writing. I can�t sit down and just write a poem. I have to wait for it to come to me, and I�m grateful when it does, and I do the best I can with it. But it�s a pleasure � particularly the poems in this book � to take something painful and real and educational and try to make some kind of pleasure out of it � musical pleasure, or imagery pleasure, for myself, for the reader. That is fun."


Friday, April 12, 2013

B.J. Ward and Louis Jenkins Poetry Workshops May 11 in Paterson

Jenkins
Ward

On May 11, 2013, there will be poetry workshops offered at The Poetry Center at Passaic County Community College (Paterson, NJ) by Louis Jenkins and B.J. Ward. The workshops have a $15 fee and pre-registration is required. The workshops will run from 10 a.m. � noon.

At 1 pm that day, there will be a free and open poetry reading by Louis Jenkins and M. L. Liebler.

Both events are at the Hamilton Club Building, 32 Church Street, Paterson.




Tuesday, April 9, 2013

Cherry Blossom Haiku and the Seasons


HAIKU BY ISSA

Under the cherry-blossoms
none are
utter strangers.

Cherry blossoms in evening.
Ah well, today also
belongs to the past.



Kigo is another aspect of traditional Japanese haiku, although it is not always present in modern and non-Japanese haiku. Kigo words are those associated with a particular season. It is a tradition that goes back to the mid-8th century in Japanese poetry and culture.

Rather than say the name of a season, it would usually be alluded to by kigo words, such as cherry blossoms to indicate spring.

In haiku, winter is traditionally the time of grief, distance and serenity, and might be indicated by "snow," "ice" or "bare tree."

Summer haiku often invoke warmth and heat, love and also rage or lust. Kigo words like rice planting, peonies, moths, fireflies, ants and mosquitos or fireworks or swimming could all indicate summer.

crossing the river -
how pleasing with sandals
in my hand!

even after falling
its image still stands -
the peony flower

clinging to the bell
he dozes so peacefully
this new butterfly
                ~ Buson

Autumn in haiku often depicts decay, the paranormal (ghosts and such), suspicion, regret, loss, and endings. The Moon, shadows and seasonal plants like persimmons and apples or insects like crickets could all indicate autumn.

In an old pond
a frog ages
while leaves fall

goodbye, will go
alone down Kiso road
old as autumn
              ~ Buson

In the Japanese calendar, seasons traditionally followed the lunisolar calendar with the solstices and equinoxes at the middle of a season. So, the kigo words traditionall used may not match your own calendar of seasonal events in nature. The traditional Japanese seasons are Spring: 4 February�5 May; Summer: 6 May�7 August; Autumn: 8 August�6 November; Winter: 7 November�3 February.

Spring haiku is often written with words that connote youth, innocence and infatuation.Animals used in spring haiku include frogs, skylarks, swallows, and songbird songs. Plants for spring haiku could be azalea, wisteria, and especially cherry blossoms. In fact, cherry blossom viewing (hanami) is so common that just mentioning blossoms (hana) would probably mean cherry blossoms.


HAIKU BY BASHO

The oak tree stands
noble on the hill even in
cherry blossom time

Temple bells die out.
The fragrant blossoms remain.
A perfect evening!

Unknown spring --
Plum blossom
Behind the mirror.

With plum blossom scent,
this sudden sun emerges
along a mountain trail

Very brief -
Gleam of blossoms in the treetops
On a moonlit night.

From among the peach trees
blooming everywhere,
the first cherry blossoms.

A lovely spring night
suddenly vanished while we
viewed cherry blossoms

From every direction
cherry blossom petals blow
into Lake Biwa

Kannon's tiled temple
roof floats far away in clouds
of cherry blossoms
            (Kannon is the Bodhisattva of Compassion)

From all these trees �
in salads, soups, everywhere �
cherry blossoms fall

But not all blossoms come in spring, so when Basho writes:

Along the roadside
blossoming wild roses
in my horse�s mouth

he would mean it is late spring, possibly early summer.

Referencing a lily, lotus flower, orange blossoms, or sunflowers would mean summer.

Colored leaves would mean autumn and fallen or dry leaves would indicate winter.

SPRING HAIKU BY BUSON

When Yosa Buson writes about plum blosson we know it is spring and the cold that remains tells us it is early spring.

In nooks and corners
cold remains -
flowers of the plum

no bridge
and the sun going down -
spring currents

A woman
Reading a letter by moonlight -
Pear blossoms

Drinking up the clouds
it spews out cherry blossoms -
Yoshino Mountain.

In the moonlight,
the color and scent of wisteria
seems far away.

Pure white plum blossoms
slowly begin to turn
the color of dawn





Monday, April 8, 2013

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Nishikant Tiwari - romantic hindi kavita