from Dear Neil Roberts
In 1989, my dad gets knocked off his motorbike.
He gets a court summons, to testify against the driver.
Because she is brown, and my dad has decided
the justice system is racist, he rips up the summons.
(A few weeks earlier, a housebreaker (brown)
who happened to be a father of six,
was shot dead by a neighbour (white)
who was let off).
Dad rips up his summons on the
Monday, November 4, 2013
Sunday, November 3, 2013
Prompt: Robert Sward and "God is in the Cracks"
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The Helix Nebula - also known as The Eye of God |
In his poem, "God is in the Cracks," we have a dialog between poet Robert Sward and his father.
If you read that poem for this month's prompt, a number of paths might come to mind for your own writing: 1) a poem about fathers and sons 2) the acceptance (or lack of) what we have chosen to do with our lives by our family 3) the life of the mind versus a life more firmly grounded in "work." The elder Mr. Sward even suggests, correctly, a poem about arch supports.
I would be okay with those three being the prompt for your November submission, but, for me, the heart of the poem is in the harder-to-explain idea of the title.
"Just a tiny crack separates this world
from the next, and you step over it
every day,
God is in the cracks."
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Robert Sward |
The religious or spiritual or philosophical theme is hard to avoid. Being raised Catholic, I had trouble as a child grasping this idea that I had two fathers - the one making eggs in the kitchen and another God the father who always appeared in illustrations as more grandfatherly than my own grandfather.
Avoiding those cracks so that you don't cross over to that other world every day reminded me of the recurring line in John Irving's novel, The Hotel New Hampshire
The title also made me think of the idea of God being "in the gaps." In the always argumentative meeting of science and religion, the religious side often inserts God into the "gaps" that appear in scientific explanations of the universe. Scientists trace back to a big bang where everything including time begins. But what triggered that big bang and what came before it? No answer. So, God fills that gap. It's an argument that angers scientists (Where's the evidence for God?) and pleases the believers because it has to be taken on faith, which stops all reasonable debating.
So, prompt #4 is my favorite and clearly the most difficult. It is to write about this crack or gap and God and how we step over it every day. Maybe it also involves fathers and mothers, careers and family, the life of the mind and the everyday life. Maybe it's the support we want from our family that doesn't appear quite so literally as those in our shoes.
This work of being a poet is not as easy as it looks.
Submission deadline: Saturday, November 30, 2013
Monday, October 28, 2013
Hey Columbus! by Thomas Hubbard
You step
out of your sport utility vehicle and
begin
fueling on pump number three while I
finish up
on pump number four.
You eye my
braid, my old car, my flute bag
in the
rear window, and that expression comes
onto your
pale, clean-shaven face.
You seem upset
that I don't shuffle, step aside,
show
embarrassment about my dark skin, and
why must I have feathers in plain view?
You are
out of your sport utility vehicle and
begin
fueling on pump number three while I
finish up
on pump number four.
You eye my
braid, my old car, my flute bag
in the
rear window, and that expression comes
onto your
pale, clean-shaven face.
You seem upset
that I don't shuffle, step aside,
show
embarrassment about my dark skin, and
why must I have feathers in plain view?
You are
Thursday, October 24, 2013
Book Launch for The Crafty Poet: A Portable Workshop
Book Launch for The Crafty Poet: A Portable Workshop
Sunday, November 10, 2013
2 PM
Join Diane Lockward and 20 poets featured in the book for a book launch reading for The Crafty Poet: A Portable Workshop
. . . this is a poetry exercise/craft tip book poets (and English instructors) only dream about, a collection divided into sections such as "Sound," "Voice," and "Syntax," each addressing the stated topic with relevant writing/revision suggestions, plus a poem provided as a springboard for writing a poem in a similar mode or form. There are even examples of poems written from the prompt. . . I look forward to the next time I teach introduction to poetry writing because I definitely think students will appreciate the specificity of Lockward's prompts.
Martha Silano, Blue Positive
Diane Lockward is the author of three poetry books, most recently, Temptation by Water. Her poems have been included in such anthologies as Poetry Daily: 360 Poems from the World's Most Popular Poetry Website and Garrison Keillor's Good Poems for Hard Times, and have been published in such journals as Harvard Review, Spoon River Poetry Review, and Prairie Schooner.
The book conatins model poems with prompts, writing tips, and interviews contributed by 56 of our nation's finest poets, including 13 former and current state Poets Laureate: Kim Addonizio, JoAnn Balingit, Ellen Bass, Jan Beatty, Jeanne Marie Beaumont, Robert Bense, Pam Bernard, Michelle Bitting, Deborah Bogen, Kathryn Stripling Byer, Edward Byrne, Kelly Cherry, Philip F. Deaver, Bruce Dethlefsen, Caitlin Doyle, Patricia Fargnoli, Ann Fisher-Wirth, Amy Gerstler, Karin Gottshall, Jennifer Gresham, Bruce Guernsey, Marilyn Hacker, Jeffrey Harrison, Lola Haskins, Jane Hirshfield, Gray Jacobik, Rod Jellema, Richard Jones, Julie Kane, Adele Kenny, Dorianne Laux, Sydney Lea, Hailey Leithauser, Jeffrey Levine, Diane Lockward, Denise Low, Jennifer Maier, Marie-Elizabeth Mali, Jeffrey McDaniel, Wesley McNair, Susan Laughter Meyers, Bronwen Butter Newcott, Alicia Ostriker, Linda Pastan, Stanley Plumly, Vern Rutsala, Martha Silano, Marilyn L. Taylor, Matthew Thorburn, Lee Upton, Nance Van Winckel, Ingrid Wendt, Nancy White, Cecilia Woloch, Baron Wormser, Suzanne Zweizig
And an additional 45 accomplished poets whose poems inspired by the prompts in the book serve as samples: Joel Allegretti, Linda Benninghoff, Broeck Blumberg, Rose Mary Boehm, Bob Bradshaw, Kelly Cressio-Moeller, Rachel Dacus, Ann DeVenezia, Liz Dolan, Kristina England, Laura Freedgood, Gail Fishman Gerwin, Erica Goss, Jeanie Greensfelder, Constance Hanstedt, John Hutchinson, Penny Harter, Wendy Elizabeth Ingersoll, Tina Kelley, Claire Keyes, Laurie Kolp, Joan Mazza, Janet McCann, Antoinette Libro, Charlotte Mandel, Joan Mazza, Janet McCann, Nancy Bailey Miller, Thomas Moudry, Drew Myron, Shawnte Orion, Donna Pflueger, Wanda Praisner, Susanna Rich, Ken Ronkowitz, Basil Rouskas, Nancy Scott, Martha Silano, Linda Simone, Melissa Studdard, Lisken Van Pelt Dus, Jeanne Wagner, Ingrid Wendt, Scott Wiggerman, Bill Wunder, Michael T. Young, Sander Zulauf
Monday, October 21, 2013
If You Are Lucky, by Michelle McGrane
If you are lucky
you will carry one night with you
for the rest of your life,
a night like no other.
You won't see it coming.
Forget the day, the year.
It will arrive uninvoked,
an astrological anomaly.
You will remember
how every cell in your body
knew him, this stranger,
how you held your breath,
the way you searched his face.
This is how such evenings begin.
And you will be real in your
Monday, October 14, 2013
Thoughts of the Father by Philip Salom
Thoughts of the Father
Ku / Work on What Has Been Spoiled
� Setting right what has been spoiled by the father. Danger. No blame rests upon
the departed father. He receives in his thoughts the deceased father.
It hurts when you know thoughts of the father are in the son
like a repertoire of non-events.
Thinking how the father spoiled the son, the sons
of broken marriages, my own.
Not '
Ku / Work on What Has Been Spoiled
� Setting right what has been spoiled by the father. Danger. No blame rests upon
the departed father. He receives in his thoughts the deceased father.
It hurts when you know thoughts of the father are in the son
like a repertoire of non-events.
Thinking how the father spoiled the son, the sons
of broken marriages, my own.
Not '
Tuesday, October 1, 2013
If we could speak like Wolves by Kim Moore
if I could wait for weeks for the slightest change
in you, then each day hurt you in a dozen
different ways, bite heart-shaped chunks
of flesh from your thighs to test if you flinch
or if you could be trusted to endure,
if I could rub my scent along your shins to make
you mine, if a mistake could be followed
by instant retribution and end with you
rolling over to expose the stubble and grace
of
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