Showing posts with label Billy Collins. Show all posts
Showing posts with label Billy Collins. Show all posts

Saturday, May 7, 2016

Poems of This Day for Mothers


There is a wide range of ways poets have written about mothers. Poets.org collected a few examples as we approach Mother's Day.

I have posted several times poems concerning mothers.

Burt Kimmelman's poem "Taking Dinner to My Mother" served as a model for one of our writing prompts. Looking at it again now and thinking about another post I made the year my mother would be 92 feels strange to reread because my mother didn't make it to her December birthday that year.

I wrote about a Mary Oliver poem and how my mother might react to it. Burt's poem is knowingly about his mother just before she died.

But Mother's Day shouldn't be a sad day, even if your mother is gone, it is a time to think of the happier moments. Maybe read some funny poems by Hal Sirowitz from his collection Mother Said.
Or recall something as in Li-Young Lee's "I Ask My Mother to Sing" or this old poem for children by Robert Louis Stevenson.

To Any Reader

As from the house your mother sees
You playing round the garden trees,
So you may see, if you will look
Through the windows of this book,
Another child, far, far away,
And in another garden, play.
But do not think you can at all,
By knocking on the window, call
That child to hear you. He intent
Is all on his play-business bent.
He does not hear; he will not look,
Nor yet be lured out of this book.
For, long ago, the truth to say,
He has grown up and gone away,
And it is but a child of air
That lingers in the garden there.

But my favorite poem for my mom might be one by Billy Collins about a small gift we might give on this day as a child before we knew "that you can never repay your mother," I made at least one of the lanyards that Billy wrote about giving to his mom and I found it after she died in a wooden box that I had made in Cub Scouts along with some other small gifts I had given her.  I was just as sure of their value as Billy. And we were right.



Friday, April 1, 2016

April Is




In "The Waste Land," T.S. Eliot wrote:
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
But I think you should think of April as National Humor Month as well as being National Poetry Month.

Why not save get your dull roots out of the spring pain and rain and save time by combining both of those celebrations by reading (or listening) to some humorous poetry. You might want to start with some  Billy Collins.






Saturday, April 12, 2014

Billy Collins on poetry

Some thoughts by Billy Collins on poetry
  • The mind can be trained to relieve itself on paper.
  • You come by your style by learning what to leave out. At first you tend to overwrite�embellishment instead of insight. You either continue to write puerile bilge, or you change.
  • In the process of simplifying oneself, one often discovers the thing called voice.
  • High school is the place where poetry goes to die.
  • A sentence starts out like a lone traveller heading into a blizzard at midnight, tilting into the wind, one arm shielding his face, the tails of his thin coat flapping behind him.
  • Poetry is my cheap means of transportation. By the end of the poem the reader should be in a different place from where he started. I would like him to be slightly disoriented at the end, like I drove him outside of town at night and dropped him off in a cornfield.
  • The first line is the DNA of the poem; the rest of the poem is constructed out of that first line.
  • A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
  • A motto I�ve adopted is, if at first you don�t succeed, hide all evidence that you ever tried.
via writers-write-creative-blog.posthaven.com







Tuesday, July 9, 2013

Prompt: First (Poetic) Love



Who is the first poet you fell in love with? In this video from The Poetry Foundation, Edward Hirsch, Evie Shockley, Jean Valentine, Juan Felipe Herrera, Katy Lederer, Marilyn Hacker, Pierre Joris and Rachel Levitsky talk about first poetry loves.

Several of the poets ask the interviewer if the question is meant literally or figuratively, or if the answer can be a poem rather than the poet. This inspired me use that first love of poetry as our prompt and inspiration.

Who is the poet that was your first love? This might be the love of a poem, but it might be a crush on the poet, either by way of a poem or just a photo on a book jacket or an encounter at a reading.

Emily, as she appears on "her" Twitter page


I had an adolescent crush on plain old Emily Dickinson because I felt sorry for her and imagined that if I had been there in Amherst that I might have been friends with her. I would have gotten her outside into nature and maybe we would have even dated.I also had a crush on glamorous Marilyn Monroe at that time because I also wanted to save her from the world.

In �Taking Off Emily Dickinson�s Clothes,� Billy Collins takes that idea to a playful extreme. His poem is an extended metaphor for reading a Dickinson poem. The undressing is also the uncovering of the poems. FOr example, taking off her "tippet made of tulle� is like opening her book.

First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.

And her bonnet,
the bow undone with a light forward pull.

Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer�s dividing water,
and slip inside.

Emily's simple poems are "a more complicated matter" when you actually read them. They are not so easy.

Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything -
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.


Emily's habit was to wear a white dress, although she rarely left her family home in Amherst. She was a recluse for the latter part of her life, hiding behind the door when there were visitors. It is assumed that she died a virgin. You can hear Billy Collins read this poem and some of Emily's poetry online and Collins says that "There are many speculations about her...Was she lesbian? Was she celibate? Did she have an affair?" All of that speculation inspired him to write the poem in which he wanted, in a playful way, to put the guessing to rest by undressing her and having sex.

Naomi Shihab Nye
The first time I heard a poem by Naomi Shihab Nye it was her reading "Making a Fist" at a Dodge Poetry Festival. I loved the poem and I had a bit of a crush on the poet too. I bought two of her books because I wanted to read them, but also because I wanted to go up to her and ask her to sign them and say something to her.

In another video, Naomi Shihab Nye talks about how poetry inspires us. She says, "I've carried, for perhaps 30 years, a very tattered piece of notebook paper that says: Philip Levine has described the muse as 'being the portion of the self that largely lives asleep. Being inspired is really being totally alive.' He says that such a state feels a 'little odd' and also 'delicious.' " She also carries with her William Stafford's poem, "The Sky."

Despite my Emily and Naomi crushes, the poem I carry in my wallet is "When You Are Old" by William Butler Yeats. That was one I fell in love with in high school and that I memorized and that reads even better to me as I grow old and gray and full of sleep myself.

For this month's writing prompt, we write about First (Poetic) Love. This can mean the first poem you recall loving or the first poet you loved (in any sense of the word).

Submission Deadline: Wednesday, July 31st