Typo in a Dead Language

The scene is in a synagogue,
but the word probably has nothing to do with religion.
It seems that the butchers in town
were either at fault, or the ones faulted.
Something about meat being sent out of the shtetl,
and the butchers collecting money.
Those protesting in half-mumbled sentences
end their words with "kupkes kupkes"
or possibly "kuFkes kuFkes."
I don't see how hats or head-coverings would be involved,
unless it was somehow used as a symbol of protest
(maybe something "socialist," like waving the flag,
or similar to the Bund motto: sher un ayzn [scissors and iron])
or something like throwing down a gauntlet
(in this case a hat - maybe like the Muslims throw shoes)
or used as a swear word or curse...
and someone else suggested a typo (twice?).



From a discussion about the Yiddish word 'kupkes' on Mendele, a moderated mailing related to the Yiddish language. Original post on this page (vol23011.txt), 9 November 2013. Submitted by Howie Good.

Walt Whitman 2014

Walt is all around us lately.

Did you take note of the Apple television ad for the iPad Air? It quotes Whitman's �O Me! O Life!� to promote the idea of creating and uses Robin Williams from his English teacher role in Dead Poets Society.

�That the powerful play goes on,
and you may contribute a verse.�

Walt is also on the new poster designed by the Academy of American Poets for this year's  National Poetry Month.  You can request a copy online.

The poster uses the closing lines of �Song of Myself,�

�Failing to fetch me at first, keep encouraged;
Missing me one place, search another;
I stop somewhere, waiting for you.�

If you want to go deeply into Walt Whitman's "Song of Myself," you can enroll in a free course offered online by the University of Iowa. This course - known as a MOOC (Massive Open Online Course) - will be open to thousands of people at no cost (and for no credit).

�Every Atom: Walt Whitman�s Song of Myself" will take a collective approach to a close reading of America�s democratic verse epic, first published without a title in the 1855 edition of Leaves of Grass and later titled "Song of Myself" in the 1881 edition.

Eastbourne by Helen Jacobs

1
It is to the island
and the coastlands
that the shifting light
tethers on a fluid line
weaving water and sand
and rock.

The point of going away
is always to come back �
thrice deny, and you
come back

to the shells of your sandheaps,
allow that there could be
an old spirit or two
or simply an old love affair
with the harbour playing you in.


2

Climbing to the houses
you look down to where

Ha-Ha

The force of laughing can dislocate jaws,
prompt asthma attacks,
cause headaches, make hernias protrude.

It can provoke cardiac arrhythmia, syncope
or even emphysema (this last,
according to a clinical lecturer in 1892).

Laughter can trigger the rare but possibly grievous
Pilgaard-Dahl and Boerhaave�s syndromes.

There are choking hazards,
such as ingesting food during belly laughs.

We don�t know how much laughter is safe.

There�s probably a U-shaped curve:
laughter is good for you,
but enormous amounts are bad, perhaps.



Taken from Who Says Laughter�s the Best Medicine? in The New York Times, 20 December 2013. Submitted by Howie Good.

Stroke

In case you don�t know me, Hi. Im Diana.
I�m a 30 year old lady.
Itallerthan your average girl,
thinner tha your average girl,
and and active than your average girl.

Yeah I run an ice crea business for a living,
but like to thing
I�m healthier than your average girl too.
No priorn medical history. Nothing.

my first ever ride in an ambulance
was uneventful � the hops;ital
is a 5 minute drive from my folks� house.

By now I had somehow regained some ability to sspeak
and answered the EMT�s incessant questionsining.
still stuumbling over my words,
even laughin at my mstakes.



From Bad Year for Boars, an account by Diana Hardeman about suffering a stroke, written 30 December 2013, a week after the event. Submitted by Gabriel Smy.

Notes in My Barefoot Voice

Result, restful, mellow, autumnal.
How the asters cheer me! So old-
fashioned-looking, in the plump
white mug that�s making do
for a vase. In these
strange, uncertain
times, I sit
down to
write�



From Notes in My Barefoot Voice by Diana Atkinson, July 2002, Shambhala Sun. Submitted by Eugenia Hepworth Petty.

Carriage House Poetry Prize in Observance of Arbor Day 2014

The Carriage House Poetry Series and The Fanwood Shade Tree Commission announce The Carriage House Poetry Prize in Observance of Arbor Day 2014.

A first prize of $250 and publication in the Autumn 2014 print issue of TIFERET: Literature, Art, and The Creative Spirit. Selected finalists will receive certificates.

Guidelines

• Entries should consist of no more than two poems�no more than 40 lines each.
• Each poem must be single-spaced on a separate sheet of paper.
• Submit 2 copies of each poem, one copy with the poet�s name, address, phone number,and email address in the upper right corner.
• Poems must be previously unpublished and must contain reference to a tree or trees (not necessarily poems about trees). Any style or form. (Not re-writes or take-offs on Joyce Kilmer�s famous poem �Trees.� Judges will look for poems characterized by technical proficiency, striking imagery and strong sound quality.)
• Entry is free.
• Poems will not be returned, so please keep a copy for your files.
• Deadline: In-hand by March 1, 2014. Winners will be notified via email by April 7, 2014.

Send entries via snail mail to:

Carriage House Poetry Prize

c/o Adele Kenny & Tom Plante
Fanwood Borough Hall
75 North Martine Avenue
Fanwood, NJ 07023


Judges
Tom Plante (Publisher/Editor Exit 13 Magazine)
Linda Radice (Award Winning Poet & Fanwood Arts Council Member)

Final Judges
Donna Baier Stein � Founder/publisher of Tiferet; Pen/New England Discovery Award & NJ State Arts Council Fellowship recipient; awards from the Poetry Societies of Virginia and New England; founding poetry editor of Bellevue Literary Review; Breadloaf Writers Conference scholarship; Johns Hopkins University Writing Seminars fellowship; author of Sometimes You Sense the Difference; Iowa fiction awards finalist for Sympathetic People (published by Serving House Press, 2013).

Adele Kenny � Author of 23 books (poetry & nonfiction); Carriage House Poetry Series founder/director; Fanwood�s Poet Laureate (appointed March 2012), Tiferet Poetry Editor; two NJ State Arts Council poetry fellowships; Writers Digest Poetry Award; Thomas Merton Poetry Award; first place Merit Book Award; 2012 International Book Award; former creative writing professor (College of New Rochelle); twice featured at the Geraldine R. Dodge Poetry Festival; has read in the US, England, Ireland, and France.