Showing posts with label byGabrielSmy. Show all posts
Showing posts with label byGabrielSmy. Show all posts
Tuesday, December 8, 2015
A modern gentleman
Carries house guests� luggage to their rooms, breaks
a relationship face to face
has read ?Pride and Prejudice, demonstrates
that making love is neither a race
nor a competition. Never lets a door
slam in someone�s face, is unafraid
to speak the truth, arrives five minutes before,
possesses at least one dark suit, well-made.
Can undo a bra with one hand, has two
tricks to entertain children, can prepare
a bonfire, says his name when introduced,
cooks an omelette to die for. Knows that there
is always an exception to a rule;
avoids lilac socks, polishes his shoes.
From Revealed: The 39 steps to being a modern gentleman, The Telegraph, 28 October 2015. Submitted by Gabriel Smy.
Wednesday, October 21, 2015
Not given to imagination
Mummy, I�m not afraid to die.
Why do you talk of dying
and you so young
do you want a lollipop?
No, but I shall be with Peter and June.
Mummy, let me tell you about my dream last night.
Darling, I�ve no time now. Tell me again later.
No, Mummy, you must listen.
I dreamt I went to school
and there was no school there.
Something black had come down all over it.
You mustn�t have chips for supper for a bit.
The next day off to school went her daughter
as happy as ever.
In the communal grave she was buried
with Peter on one side
and June on the other.
Dialogue from an account of 10-year-old Eryl Mai's premonition of the 1966 Aberfan avalanche disaster, via Futility Closet. Submitted by Gabriel Smy.
Monday, July 20, 2015
A year ago last September
A YEAR AGO LAST SEPTEMBER TWO ladies with a child
were travelling on the Hudson River cars,
one of whom offered a seat to a middle aged gentleman
with light whiskers or goatee
slightly gray, who kindly pointed out to her
the red leaved trees
and said he had a number of them on his place
and made himself otherwise agreeable;
and when she was leaving him
(ten miles this side of where he stopped)
gave her a parting embrace, which she has never
been able to forget.
A personal ad from the New York Herald, 25 January 1862. Via Futility Closet. Submitted by Gabriel Smy.
Friday, June 13, 2014
On the division of animals
More often than not, the linguist or anthropologist just throws up his hands and resorts to giving a list � a list that one would not be surprised to find in the writings of Borges.
George Lakoff
Those that belong to the Emperor,
embalmed ones,
those that are trained,
suckling pigs,
mermaids,
fabulous ones,
stray dogs,
those that are included in this classification,
those that tremble as if they were mad,
innumerable ones,
those drawn with a very fine camel�s hair brush,
others,
those that have just broken a flower vase,
those that resemble flies from a distance.
From 'Other Inquisitions' in which Borges writes of a strange way of classifying animals in an ancient Chinese encyclopaedia. Via Futility Closet. Submitted by Gabriel Smy.
Friday, June 6, 2014
CV
My Most Illustrious Lord,
I know how, in the course of the siege of a terrain,
to remove water from the moats and how to make
an infinite number of bridges, mantlets
and scaling ladders and other instruments
necessary to such an enterprise.
I have also types of cannon, most convenient
and easily portable, with which to hurl small stones
almost like a hail-storm; and the smoke from the cannon
will instil a great fear in the enemy
on account of the grave damage and confusion.
I have means of arriving at a designated
spot through mines and secret winding passages
constructed completely without noise, even if
it should be necessary to pass underneath
moats or any river.
Also I will make cannon, mortar and light ordnance
of very beautiful and functional design
that are quite out of the ordinary.
I will assemble catapults, mangonels,
trebuckets and other instruments of wonderful
efficiency not in general use.
And should a sea battle be occasioned,
I have examples of many instruments
which are highly suitable either in attack
or defence, and craft which will resist the fire
of all the heaviest cannon and powder and smoke.
Also I can execute sculpture in marble,
bronze and clay. Likewise in painting, I can do
everything possible as well as any other.
From a letter Leonardo da Vinci wrote to Ludovico Sforza around 1483, commending himself for court employment. Via Letters of Note. Submitted by Gabriel Smy.
Friday, May 2, 2014
The burn
Boredom makes us do it, that and the chase.
The sun whitens the grass until it's ripe
to burn and then we light it, watch and wait.
The flames take the land, they come and we run.
Us in our shorts, them in their gear, too
clumsy to run but fast because they're men.
We're laughing and falling, stumbling and rolling
safe if not caught, too young to worry
about the dead birds and black landscape.
From Gawain Barnard's photography exhibition, as previewed on A Fine Beginning: Made in Wales, BBC News In Pictures, 14 March 2014. Words omitted: 'and then' (line 4), 'and' (7), 'from the burn' (8), 'broken land' (9). Submitted by Gabriel Smy.
Friday, January 24, 2014
Stroke
In case you don�t know me, Hi. Im Diana.
I�m a 30 year old lady.
Itallerthan your average girl,
thinner tha your average girl,
and and active than your average girl.
Yeah I run an ice crea business for a living,
but like to thing
I�m healthier than your average girl too.
No priorn medical history. Nothing.
my first ever ride in an ambulance
was uneventful � the hops;ital
is a 5 minute drive from my folks� house.
By now I had somehow regained some ability to sspeak
and answered the EMT�s incessant questionsining.
still stuumbling over my words,
even laughin at my mstakes.
From Bad Year for Boars, an account by Diana Hardeman about suffering a stroke, written 30 December 2013, a week after the event. Submitted by Gabriel Smy.
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